Letter addressed to M.R. Harrington from the Bureau of American Ethnology, 1911.
Museum of the American Indian/Heye Foundation records, NMAI.AC.001, Box 231, Folder 7.
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M.R. Harrington dressed in Haudenosaunee (Iroquois) clothing, ca. 1905. Mark Raymond Harrington photograph collection, NMAI.AC.001.035, P28198. |
Born in 1882 and commencing his first anthropological work while still a teenager in the late 1890s, Harrington’s career spanned more than sixty years and encompassed wide swathes of the U.S. and North America. Well-respected for his collecting prowess, in the two decades alone (1908-1928) that he worked for Museum of the American Indian, Heye Foundation, founder George Gustav Heye, Harrington collected ethnological and archaeological material from Canada in the north to Cuba in the south, and from New York in the east to California in the west.
Harrington’s correspondence in particular reflects his work throughout North America and his sustained relationships with anthropological leaders in the field like Franz Boas, Frederic Ward Putnam, and Frank G. Speck, his personal relationships with fellow anthropological colleagues Alanson Skinner and Arthur C. Parker, and his dependence on the knowledge, advice, and friendship of Native American collaborators and interpreters in the field like Peoria leader Bill Skye and Otoe community member Grant Cleghorn.
Peoria chief, interpreter, and collaborator with M.R. Harrington, Bill Skye, 1908. Collection still undetermined, likely part of the Mark Raymond Harrington photograph collection. NMAI P23479. |
Further, like his fellow turn-of-the-twentieth-century anthropologists Frank Hamilton Cushing, James Mooney, and Alanson Skinner, Harrington adhered to the anthropological practice of participant observation. Thus, he often dressed in Native clothing, spoke in Native languages, and referred to himself by his adopted Native names, even when away from Native communities. Harrington and Skinner, however, tended to blur the lines between participant observation and what Philip J. Deloria terms “playing Indian,” in which non-Native peoples simulate and appropriate the customs, manners, and lifeways of Native groups. Temporally removed and lacking Harrington’s personal thoughts on his actions at the time, it is difficult to label his and Skinner’s actions as intentional cultural appropriation, when they may demonstrate nothing more than the passion of two men of Euro-American ancestry interested in learning about other cultures. Regrettably, while Harrington’s correspondence is a treasure trove of information, it reveals little further insight into these men’s perspectives on matters such as this. Importantly though, Native American people were more than simply a subject of study for Harrington. They were integral to his life, his identity, and over time became intimate members of his family including his wife and Seneca community member, Endeka (Edna) Parker.
Mrs. Endeka Parker Harrington (Seneca), Don Chiaku (Hopi Pueblo), and M.R. Harrington dressed in Hopi clothing in Arizona, circa 1930. Mark Raymond Harrington photograph collection, NMAI.AC.001.035, P26879. |
Despite such praise, M.R. Harrington’s name remains relatively unknown to many both within and outside of the museum field. Hopefully by making Harrington’s personal and professional correspondence more widely available to the public, his inspiring and complicated legacy will better be brought to light.
Nathan Sowry, Reference Archivist
National Museum of the American Indian Archives Center
I didn't see this noted anywhere, but the first Bureau of American Ethnology letter to Harrington, the one handwritten in 1911, was from the well known Smithsonian ethnologist James Mooney.
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