It’s hard to believe that many colloquium speakers at the beginning of our tenure were still illustrating their talks with 35mm slides in Kodak Carousel projectors and even “overhead” projectors utilizing acetate transparencies. Nowadays most speakers rely on PowerPoint files, of course. I admit that I miss the relative simplicity of the Carousel. While I always worried that a projector bulb might burn out in the middle of a program, there are more things that can go wrong with computers and digital projectors. We have had interoperability problems between the computer and projector, and once we found that a prior user of our borrowed laptop had managed to delete the entire Windows suite (by accident, I trust), requiring a last-minute search for another computer. When Prof. Johann Neem spoke about the history of American education a few weeks ago, I was delighted that he simply read a paper and used no visuals, for a change.
Paul Forman at the 2007 History of Science Society meeting.
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Poster by Paul Forman, ca. 1990s. Courtesy David DeVorkin. |
Smithsonian fellows in the sciences, arts, history, and other disciplines are the heart of the Tuesday Colloquia, which are attended by Smithsonian staff and non-Smithsonian colleagues who have asked to be added to our email groups. Some attendees are intrigued by a speaker’s topic, while others are interested in seeing how our collections are utilized in research. Some fellows study “three-dimensional” collection objects, some explore documents and images in Smithsonian archival repositories, and others utilize SI Libraries resources, including rare books and manuscripts. Recent speakers at NMAH Tuesday Colloquia include the following:
Sean Young, a Dibner Fellow, SI Libraries, spoke on “The Art of Signs: Symbolic Notation and Visual Thinking in Early Modern Science,” utilizing rare books in the Dibner Library at NMAH. Anastasia Day spoke on Victory Gardens, studying Archives Center and SI Libraries collections. Al Coppola, Dibner Library Resident Scholar, spoke on “Enlightenment Microscopy,” based partly on rare books in the Dibner Library and consultation with Curator Deborah Warner. Charnan Williams spoke about her study of an African American family living in the West, from the Archives Center’s Bridgewater Family Papers. Emily Voelker, for whom I was a co-advisor, spoke on “Roland Bonaparte’s Photographic Encounters with Buffalo Bill’s Wild West in Paris,” based on exciting field research and interviews, plus photographic collections in Paris, the NMAH Photographic History Collection, and the NMNH Anthropological Archives.
Emily Voelker, Ph.D., Postdoctoral Fellow 2017, National Portrait Gallery and NMAH (colloquium Dec. 5, 2017). |
Although colloquia based on research in Smithsonian collections, especially at NMAH, are intended as the core of our program, we also include lectures which are not Smithsonian collections-based, yet represent topics of interest to the Smithsonian community. I have tried to resist pressure from outside publicists who think a Smithsonian stop on an author’s book tour, including a book-signing, would be prestigious and/or lucrative. Since the colloquia are considered “staff” rather than “public” events, outside authors and their publishers may be disappointed to find that a lecture and/or book-signing is not listed on public Smithsonian web pages. I think the essential rationale is that our programs are not vetted and approved in advance by either the Museum’s public affairs office or the Director’s office. John Gray, our recently retired Director, has been an enthusiastic fan of the Tuesday Colloquium, which he frequently attended; he often gave me positive comments and compliments in person and by email, and was certainly our most supportive director since I have been the coordinator. However, he never had an opportunity to approve our colloquia in advance, so it would be inappropriate or premature to make these events “public” and list them on the website.
For example, Hallie Lieberman, now famous for her new book Buzz, was a pre-doctoral Lemelson Fellow in 2012; a major portion of her dissertation research on the history of sex toys was conducted in the Archives Center, amply demonstrating that our renowned Warshaw Collection of Business Americana contains something for every scholar. She also studied objects in the Museum’s Medicine and Science collections. She presented a colloquium on her research entitled “Every Woman Her Own Husband: Why Technological Innovation Leads to Sex Toy Innovation,” which was unusually well-attended despite the August heat. I suspect that her illustrated lecture would not have been endorsed or advertised by the Museum as a “public” presentation—at least, not without a conversation regarding risk assessment.
Hallie Lieberman (Lemelson Center Fellow, 2012), doing dissertation research in the collections of the NMAH Archives Center: Colloquium Aug. 3, 2012. Photograph by Alison Oswald. |
I maintain in my office a file of publicity flyers and related information generated by the colloquium program, including biographical information, abstracts, and some complete papers, and I plan to offer these files to the SI Archives eventually. Records of the colloquium program were not maintained systematically by my predecessors, but I think they should be collected and made available for research themselves as a partial record of the intellectual life of NMAH and the SI in general. Years ago Rick Luhrs, the supervisor of the NMAH Technology Services Center, remarked that it was a “shame” that we didn’t produce and preserve audio or video recordings of all colloquia for posterity, but establishing a sustainable procedure to do so has been an elusive goal. For a brief period an education office staff member made sound recordings of our programs to use in podcasts, plus several video recordings, but this initiative ended when he left the Museum for another job. Things looked promising with the opening of the high-tech S.C. Johnson Conference Center in NMAH, since the room has built-in cameras and equipment to facilitate digital video recording. I succeeded in recording two presentations, but the results were technically poor. However, I’m happy to report that there is a new initiative to improve the space, and I believe we’ll be able to obtain high-quality digital video-recordings in the near future. Many NMAH Tuesday Colloquia over the years have been based on research utilizing Smithsonian resources, including artifact collections and archives. I hope to preserve at least a partial but growing archive of the NMAH Tuesday Colloquium’s history, for the use of researchers studying the intellectual life of the Smithsonian. These records of programs given by staff, fellows, and non-Smithsonian scholars reflect the depth and variety of research conducted at the Institution, and its collections and activities. Eventually the paper documentation will be supplemented with digital recordings of our speakers in action. I’m certainly not the first Smithsonian program impresario to envision such an archive: the NMAH Archives Center itself acquired video-recordings of the Museum’s Lemelson Center programs for years (see this example), although they’re currently transferred to the SI Archives, and the Smithsonian American Art Museum regularly records fellows’ lectures and makes them available online.
David Haberstich
Curator of Photography
NMAH Archives Center
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