This October, the Smithsonian Collections Blog is celebrating American Archives Month with a month-long blogathon! We will be posting new content almost every weekday with the theme Discover and Connect. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.
Russian American artist Peter Blume’s highly detailed surrealist allegoric paintings helped define American modernism. Active from the mid-1930s through the 1980s, Blume’s creative process included sketching and drawing many drafts of his large-scale paintings. Here, we see a sampling of sequentially numbered sketches Blume completed for his painting Tassos Oak, 1957-1960. The artist’s creative process is documented in numerous sketches and photographs found among the circa eight linear feet of
Peter Blume’s papers at the Archives of American Art, as well as in an
oral history interview with the artist conducted by the Archives in 1983.
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Photograph of the actual Tasso's Oak tree in Rome, undated. Peter Blume papers, Archives of American Art, Smithsonian Institution. |
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Tasso's Oak study (#DPS60-24), circa 1950- 1960. Peter Blume papers, Archives of American Art, Smithsonian Institution. |
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Tasso's Oak study (#DPS60-29), circa 1950-1960. Peter Blume papers, Archives of American Art, Smithsonian Institution. |
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Tasso's Oak study (#DPS60-8), circa 1950-1960. Peter Blume papers, Archives of American Art, Smithsonian Institution. |
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Tasso's Oak study (#DPS60-12), circa 1950-1960. Peter Blume papers, Archives of American Art, Smithsonian Institution. |
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Peter
Blume working on his painting Tasso's oak, between 1957 and 1960 /
unidentified photographer. Peter Blume papers, Archives of American Art,
Smithsonian Institution.
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Peter Blume reflected in a mirror standing in front of his painting Tasso's oak, most likely in his studio, circa 1957-1960 |
Barbara Aikens, Head of Collections Processing
Archives of American Art, Smithsonian Institution
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