
Number 4, Most Va-va-voom: Alberto Vargas' business card, after 1950. Alberto Vargas was a painter whose pin-up "Vargas girls" graced the pages of many an Esquire and Playboy magazine. So it is only natural that his business card should feature one of his signature leggy dames (the more practical information is on the flip side).

Number 3, Most Subversive: N. E. Thing Co. business card, circa 1968. N. E. Thing Co. was founded by conceptual artists Iain and Ingrid Baxter as a critique of the increasing commercialization of the art world. They even took the corporate parody so far as to sponsor a local youth hockey team.
Number 2, Most Bold: Louis Michel Eilshemius' business card, between 1919 and 1941. Eilshemius is known primarily as a painter, but the laundry list on his business card informs anyone who will listen that he was also a "Mesmerist-Prophet and Mystic," "Scientist supreme: all ologies," "Ex Fancy amateur Dancer," and "Globe Trotter" whose "middle name is 'Variety.'" I'll say.

Number 1, Most Direct: Edward Ruscha's business card, 1960s. Name, phonetic spelling and occupation. 'Nuff said.
For more business cards in Smithsonian collections, check out the Collections Search Center.
Bettina Smith, Digital Projects Librarian
Archives of American Art
#4 on this list Vargas also did a series of calendars that are extremely valuable in the collectors market we were lucky enough to get several of them into our shop last year
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