As a visitor in NYC recently, briskly walking to keep pace
with the throngs of commuters on Fifth Avenue, I came to an abrupt stop at
number 597. A New York Landmarks Preservation Foundation plaque announcing the
address as the former home of Charles Scribner’s Sons had caught my eye.
photo by Karen Weiss |
Stepping back to take in the full
height of this impressive building designed one hundred years ago by Ernest
Flagg (1857-1947), I tried to visualize the hustle and bustle of the publishing
house, and to place the Archives of American Art’s Charles
Scribner’s Sons Art Reference Department records in their true original order. Looking past the Sephora sign (the building’s
current tenant), I wondered which of the ten expansive floors had held these
voluminous picture files nearly one hundred years ago? How were the hundreds of
photographs, drawings and original illustrations used in its publications,
today neatly processed in acid-free containers, originally stored and filed
within those walls?
N.C. Wyeth, ca. 1920 |
The Archives of American Art
acquired the Charles Scribner’s Sons collection in 1957,
just a few years after it began collecting primary source documents documenting
the visual arts in America. Like many of the early accessions, the collection’s
initial treatment emphasized description at an individual document level,
resulting in the decision to physically remove photographs of notable artists
and art related figures and incorporate them into a “Main Photo File” while
paying less attention to describing the overall collection’s purpose and
functional history.
I first encountered the photographic portraits in 2000 while leading a project to digitize that central file, which involved dismantling it and returning each photograph to its original collection as a prerequisite for scanning. I can recall my excitement as I saw the trove returning to the Scribner’s collection grow in number, revealing a fascinating mix of subjects.
Duchess of Cambridge, between 1884 and 1889 |
The collection contains photos of
dozens of notable artists and authors affiliated with Scribner’s, among them
Lawrence Alma-Tadema (1836-1912), Frederic Auguste Bartholdi (1834-1904), Royal
Cortissoz (1869-1948), Donald Grant Mitchell (1822-1908) who wrote under the
pseudonym “Ik Marvel,” Francis Hopkinson Smith (1838-1915), Ernest Piexotto
(1869-1940), and N.C. Wyeth (1882-1945) to name a few. It also features photos of historical figures as
diverse as the Duchess of Cambridge (no, not the current one but Princess
Augusta of Hesse-Kassel who held HRH title from 1818-1889), music critic James
Huneker (1857-1921), and Leon Trotsky (1879-1940). Each of these photographs
are now cataloged individually in the Collection
Search Center and also can be found on the Archives of American Art’s
website.
In 2009, as part of a major grant
funded by the Terra Foundation for American Art, the Scribner’s photographs
were again digitized, but this time, the scanning encompassed the entire collection – all nine linear
feet of the portrait, illustration and other files. Instead of individually describing each item,
the collection as a whole was first described in a finding
aid prepared by an archivist. Access
is at the folder level, and users are given the opportunity to browse
the collection box by box, folder by folder, and benefit by understanding
the items in context with the full body of documentation. The Archives has digitized over 110
collections in this way, comprising over 1,000 linear feet.
N.C. Wyeth sketch for a book cover, ca. 1922 |
One would think that the
individually described and digitized photographs, an online finding aid and full
access to the Archives’ Scribner’s collection would be the end of the road for
its description, but with my curiosity piqued by the random encounter with 597
Fifth Avenue, I turned to – what else – a Google search. The increasing online availability of archival
resources led me to discover that Princeton University Library’s Manuscript
Division holds the entire 750 linear feet archives of the Charles
Scribner’s Sons publishing firm, including the textual records for the Art
Department. When notified about our nine linear foot portion, Princeton’s
Reference Archivist told me that they had always wondered about the whereabouts
of the original artwork. Soon, both
institutions’ finding aids will include reciprocal notes and links that will
virtually reunite these holdings. I also
found Princeton’s extensively researched chronology of Scribner’s, listing
every significant event in the company’s history between 1846 and 1996. One
fact caught my eye and brought me back to 597 Fifth Avenue; Ernest Flagg
designed not only this building, but also Scribner’s earlier building at 153
Fifth Avenue, and to top it all off, was the brother-in-law of Charles Scribner
II.
--Karen Weiss is the Information Resources Manager at the Archives of American Art.
Blogs
across the Smithsonian will give an inside look at the Institution’s
archival collections and practices during a month long blogathon in
celebration of October’s American Archives Month. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.
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